SKU: 8528450548

Motörhead - Motörhead (50th anniv. black 2LP)

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Motörhead - Motörhead (50th anniv. black 2LP)Zum 50 jhrigen Ace Label Jubilum erscheint das legendre Motrhead Debt nun auch nochmal als Deluxe Doppel LP mit rotem Cover, silbernem Logo und 12 Bonustracks! Ohne gltigen Plattenvertrag beschlossen Motrhead im Frhjahr 1977, sich wegen Erfolglosigkeit aufzulsen und ein letztes Konzert zu geben. Whrend dieses Konzerts war Ted Carroll von Chiswick Records anwesend und bot den Musikern im Anschluss einen Plattenvertrag fr eine Single an. Aus den

Zum 50-jährigen Ace Label-Jubiläum erscheint das legendäre Motörhead-Debüt nun auch nochmal als Deluxe-Doppel-LP mit rotem Cover, silbernem Logo und 12 Bonustracks!

Ohne gültigen Plattenvertrag beschlossen Motörhead im Frühjahr 1977, sich wegen Erfolglosigkeit aufzulösen und ein letztes Konzert zu geben. Während dieses Konzerts war Ted Carroll von Chiswick Records anwesend und bot den Musikern im Anschluss einen Plattenvertrag für eine Single an. Aus den Aufnahmen entstand ein vollständiges Album, das im September 1977 unter dem Titel 'Motörhead' erschien. Produziert wurde die Platte von Ex-Thunderclap Newman "Speedy" Keen, und eingespielt in der unvergessenen, legendären Mark 1-Besetzung Kilmister, Taylor und Clarke.
Die zwei LPs bieten nicht nur das klassische erste Album mit Titeln wie 'White Line Fever', 'Violator' und 'Keep Us On The Road', sondern vereint auf den Seiten 3 und 4 auch 'City Kids', die 'Beer Drinkers EP' sowie verschiedene Mixes und alternative Versionen legendärer Klassiker wie 'Motörhead', 'The Watcher' und 'Keep Us On The Road'. Auf den Sound konnten sich Hardrock-Fans genauso einigen wie Punks, deren Zeit gerade erst begonnen hatte (ein wenig später ebenfalls unter Mitwirken von Chiswick Records mit Bands wie The Damned).
Das Albumcover zeigt eine silberne Heißfolienreplik von Joe Petagnos ursprünglichem Motörhead-Logo in all seiner Pracht. Die informativen Liner Notes stammen von Ted Carroll, der dem Fan die Geschichte erzählt, wie das Label Chiswick Records es schaffte, das Geld für die Aufnahme zusammenzukratzen, und sich samt Motörhead in die Rock'n'Roll-Geschichte einzutragen! Platz 43 in den britischen Albumcharts bedeutete den ersten kommerziellen Erfolg der Band.
Was folgen sollte ist bekannt!

Tracklist
LP1
01 Motörhead
02 Vibrator
03 Lost Johnny
04 Iron Horse / Born To Lose
05 White Line Fever
06 Keep Us On The Road
07 The Watcher
08 Train Kept A-Rollin'

LP2
01 City Kids
02 Beer Drinkers & Hell Raisers
03 On Parole
04 Instro
05 I'm Your Witch Doctor
06 Lost Johnny (Mix 2)
07 City Kids (Mix 1)
08 I'm Your Witch Doctor (Alternative Mix)
09 The Watcher (Mix 3)
10 White Line Fever (Mix 7)
11 Keep Us On The Road (Mix 1)
12 Motörhead (Alternative Vocal & Guitar Solo)

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SKU: 8528450548

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Howard
Lowell, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 24, 2015
A
Verified Purchase
AlanWarner
New York, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
C
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Carole T Emberton
Boise, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
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pat delzell
Fort Morgan, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
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B. Kirzner
Dallas, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021

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