SKU: 99477686775

Songwriting Workshop with Jenn Wasner (September '25)

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Description

Songwriting Workshop with Jenn Wasner (September '25)In September 2025, Jenn Wasner (Flock of Dimes, Wye Oak) led a four week songwriting workshop built around the idea that songwriting moves in seasons. Rather than forcing inspiration to behave on a deadline, the class uses the natural world as a framework: Spring for sprouting and invention, Summer for follow through, Fall for sharing and connection, and Winter for rest, processing, and perspective. From the start, Jenn situates songwriting as

In September 2025, Jenn Wasner (Flock of Dimes, Wye Oak) led a four-week songwriting workshop built around the idea that songwriting moves in seasons. Rather than forcing inspiration to behave on a deadline, the class uses the natural world as a framework: Spring for sprouting and invention, Summer for follow-through, Fall for sharing and connection, and Winter for rest, processing, and perspective. From the start, Jenn situates songwriting as something anybody can do, and treats the cycle not as a race to a “great” finished product, but as a practice that teaches you about yourself and brings you back into relationship with your own creative instincts.

In this course, you’ll work with permission as a real technique — permission to call yourself an artist, permission to make “bad” work, permission to follow what feels true instead of what feels impressive. You’ll build small, sustainable practices that make it easier to return to writing even when you don’t feel ready. A major thread is writing through persona: experimenting with different voices (including “parts” of yourself that you might usually hide), so you can loosen the grip of self-critique and access material with more honesty, humor, and range. Along the way, Jenn shares candid context from her own creative life — how she keeps going through discomfort, how she relates to doubt, and how she’s learned to treat the creative process as something human rather than heroic.

The musical side of the workshop offers concrete ways to generate momentum at the instrument and in the arrangement. Jenn introduces a simple set of building blocks (rhythm and groove, atmosphere and texture, and chord “shapes”) and shows how starting from different elements can unlock entirely different songs. We explore approachable options whether you’re working with a full recording setup or just voice memos, and you’re invited into alternate tunings as a way to break familiar habits and create “happy accidents” that your ear can guide. Lyrics are treated as part of the same emotional world as sound: the class makes space for specificity and poetic license, for writing that’s literal or universal, and for letting melody and feel lead you into language you couldn’t have planned. 

By the end, you leave with repeatable prompts, a clearer sense of how to start (and keep going), and a sturdier relationship to sharing your work—whether that means performing, collaborating, or simply making something finished enough to let it exist.

“I came away feeling less alone, and less focused on my songs needing to achieve a ‘great’ finished product that connects with everybody. For that, I’m grateful. You helped me reconnect with the innocence and play of writing a song, instead of fretting over it being ‘successful’. Thank you for your vulnerability. I loved the last thing you read to us/said to us…how teachers can only do so much, and we need to listen to our own hearts (or something like that). It was empowering. And these days especially, we need examples of humility like that."

Thank you so much, Jenn! This was such a gift. I emphatically agree with the person who said, ‘best $160 I've ever fucking spent,’ during the last Q&A. I would have gladly spent double. It was incredibly valuable, wholesome, and rewarding. You're a natural professor, and the course content and structure felt collegiate."


‘Thanks so much for offering your wisdom. It was very inspirational. You are a natural speaker and your kindness, enthusiasm, and knowledge came through. The lectures were great and provided tools to cultivate inspiration moving forward with creative projects. Loved the course would recommend to any creative minded individuals. Thank you.’

Here's how it works:

  • Workshop is taught over Zoom on the following dates:
    • Lectures: Sundays September 7th, 14th, 21st, and 28th, 2025
      • Two options for lecture times: 11 AM – 12 PM PT and 6 PM – 7 PM PT.
    • Q&As: Wednesdays September 10th, 17th, and 24th, 2025
      • at 6 PM PT.
    • Song-Shares: Saturdays September 13th, 20th, and 27th, 2025
      • Two options for song-shares: 11 AM – 12 PM PT and 6 PM – 7 PM PT.
  • If you can't make the live class, you can still participate by watching the recordings of the lectures and Q&A sessions (sent out after class).

Signing up with a friend + Gifting

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If you'd like to buy the workshop for yourself and gift it to a friend, just add 1 to your cart with "This is a gift" checked and their info, and 1 to your cart normally — the discount will be applied automatically. Note: no refunds on discounted orders.


FAQ:

Q: What musical experience should I have?
A: People across all musical levels will be able to gain something from the course.
Q: What if I’ve never written a song before? Can I still participate in this workshop?
A: Yes! As with any new skill, just starting is usually the hardest part. The songs are optional and this workshop will provide the structure and accountability we all need to get started and follow through, for beginners and old guard writers alike. However, it'll be helpful to have an instrument you can play a few chords on and a way to record yourself.
Q: Is there an enrollment cap?
A: Nope! This is a lecture-style class with open enrollment. The song shares will be optional with breakout rooms of 3–4 people.
Q: Will Jenn give me feedback on my songs?
A: Due to the class size, we cannot guarantee that you’ll get Jenn’s feedback on your songs. However, our teachers are active on our song-sharing platform and may leave comments on students’ submissions.
Q: I can't make the lecture times for some (or all) of the classes. Can I still participate?
A: Yes! We send out the recordings of lectures at the end of each class day, so you can watch the lectures on your own time.

If after the first class you feel the course is not a good fit for any reason, you are welcome to a refund on the rest of the course classes. We are unable to process refunds after the second class.

Questions? Email us at [email protected].

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SKU: 99477686775

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Great case, functions well and the keyboard is a nice touch. Would recommend.
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I like the case for its ability to house the keyboard, the pencil and the iPad in one convenient place. I find that the magnetic closure and magnets holding the keyboard are not as strong as a previous case I had purchased. The keyboard is great, I like the touchpad and the backlight colors. The cover material is not hand lotion friendly! I’ve tried water and lens cleaning wipes, and neither gets this cover clean. I hesitate to use any chemicals because the material is the type that will get sticky and nasty, and I don’t like that. I’ve included a photo of what the cover looks like after using a lens cleaning wipe. If the magnets were stronger and the cover material easier to clean, I would buy again.
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great case!
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pros; the color is beautiful. I picked the navy blue. It is exactly as the description described. It goes very well with my blue iPad. The size is very precise and fits perfectly on my iPad. The magnet that holds the case together is very strong. The iPad itself can pivot vertically and horizontally using that magnet. This works very smooth. The magnet closure for the case itself is strong and holds well. The magnet that holds the keyboard in place also works very well. Cons; when the keyboard is in its correct position, it is difficult to angle the iPad in front into the provided grooves. The keyboard gets into the way. This prevents the iPad from reaching the grooves provided. The keyboard feels very light and cheap. The keyboard itself connected with the Bluetooth very easily. It works wonderful. I love the back light on the keyboard. The color of the keyboard is wonderful. However, as I said above, it does feel a bit cheap. But for 20 bucks, what can you ask for. When the case is folded together with the keyboard in the iPad, it is a bit bulky. But I knew that from the previous reviews and was expecting it. What I love most about this case is that the iPad can be removed using the magnet on the back from the keyboard portion, but it is still protected by the exterior plastic case. So in situations where I don’t need to use my keyboard, I can remove the iPad itself and know that it’s still protected overall I recommend this product.
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